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We might have seen this coming. In the eighty-odd hours between now and Tuesday, March 4, the day of four Democratic primaries, the level of animosity between the campaigns of Sens. Hillary Clinton and Barack Obama has ratcheted up almost overnight, a sound and fury signifying ugly.
The most recent Clinton strategy is a no-holds-barred approach, a so-called “kitchen sink” offensive meant to hurl everything possible at the Obama juggernaut. Today’s escalation of that attack apparently included the kitchen sink, the plumbing and the load-bearing walls of the Clinton campaign.
The latest Clinton salvo was the launch of a new ad already being called the “3 a.m. ad,” a spot that shows young children safely tucked in for the night, asleep in some hypothetical future. “It’s 3 a.m. and your children are safe and asleep,” a narrator says over a grim musical soundtrack, heavy with portent.
The viewer is asked to imagine the phone ringing at the White House. "Something’s happening in the world." Who will answer? “Your vote will decide who answers that call,” the narrator says. “Whether it’s someone who already knows the world’s leaders, knows the military — someone tested and ready to lead in a dangerous world.”
Cut to: a shot of Hillary Clinton, answering the phone (apparently dressed to the nines at three in the morning).
The Clinton ad — an attempted shot across Obama's bow on the touchy issue of national security — didn’t get the response they might have expected. The Obama camp reacted — in a video response mounted with breathtaking speed — coolly using the same nimble political aikido the Obama campaign has mastered from almost the beginning.
America from 2004 to 2009 –its new ironies and old habits, its capacity for change and transition – is topic A in this collection of essays and blog posts on pop culture, the war in Iraq, Hurricane Katrina, a transformative presidential election and the first 100 days of the Obama administration. | Now available at Authorhouse
One nation subject to change: A collection of topical essays exploring television, hip-hop, patriotism, the use of language under Bush II, and the author's own reckoning with mortality. | Available at Authorhouse
A veteran journalist, producer and blogger, Michael Eric Ross contributes to Medium, and the content channels of Creatd Media. He writes from Los Angeles on the arts, politics, race and ethnicity, and pop culture. A graduate of the University of Colorado, he's worked as a reporter, editor and critic at several newspapers and websites, including The New York Times, the San Francisco Chronicle, the San Jose Mercury News, MSN, Current, msnbc.com, and TheWrap, a major online source of entertainment trade news. He was formerly an adjunct professor at the Columbia University Graduate School of Journalism. His writing has appeared in The New York Times Book Review, Wired, Entertainment Weekly, PopMatters, Salon, The Root, seattlepi.com, NPR.com, theGrio, BuzzFeed, Daily Kos, and other publications. Author of the novel Flagpole Days (2003); and essay collections Interesting Times (2004) and American Bandwidth (2009), he contributed to the anthologies MultiAmerica (edited by Ishmael Reed, 1997) and Soul Food (2000).
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